A combo guitar amplifier is an all-in-one unit that provides everything you need to start playing. While combo amps are more modestly powered than large stack-and-head units, they can still pump out enough juice to serve all but the largest of venues. Enjoy the lowest prices and best selection of Combo Guitar Amplifiers at Guitar Center. Most orders are eligible for free shipping.
Besides the guitar itself, a decent guitar amp is one of the most significant purchase a guitarist will make.
Indeed, an amp is arguably more important to your overall tone than the guitar! Your first 'proper' amp is likely to be based on something that your heroes play, but you'll soon end up wanting something that better fits your own playing style. Whether you use overdrive pedals to provide your gain, or you're looking for your amp to provide full bore distortion on its own, the amp you go for will determine the overall character your audience hears out front.
There's a dizzying array of amps on the market, so you need to do some thorough research before pulling the trigger to figure out what's right for you. And we've even found the best prices for 'em, too! If you'd like to read more in-depth buying advice, click the 'buying advice' button above.
If you'd rather get straight to the products, keep scrolling. An elite-level touring guitar amp costs some serious dollar, which puts it out of the reach of most players. It marries up versatility, build quality and class, with an astonishing range of tones. If you treat the amp like an investment, as something that will see you through the next 20 years of playing, then the Mark Five: 25 actually represents decent value for money.
If, on the other hand, you need something a bit more financially realistic — for players of any level — then the Boss Katana MkII is easy to recommend.
Gone are the days of inexpensive solid-state and modeling amps that promise so much but fail to deliver. With a tube preamp and a solid-state power amp, the Orange Micro Terror manages to stay shockingly tiny while delivering 20 watts of output. Through a 4x12 it's deceptively massive, although because it's so low in wattage, there's not really a true 'clean' sound on offer. Still, it's approximately a million times better than the entry-level amps we had when we were younger, and at a push you could probably play small shows with them.
We've switched out one of our amps with the Micro after a technical difficulty in the past yes, it's small enough to bring as a backup in your pedalboard caseand we don't think the crowd noticed. That said, it is relatively quiet, and the Tiny Terror is noticeably louder when you're playing out.
Still, for the price, who can argue? The Positive Grid Spark has taken the amp world by storm. The Spark is also packed full of learning tools that will help you develop as a player, and have fun while doing it. Read the full Positive Grid Spark review. As great as tube amps are, they tend to stick to one core job and focus on doing that brilliantly.
Digital effects, on the other hand, give the player a chance to try out different sounds and combinations of effects to find the sound that suits them best. It packs in a host of Boss effects, along with a selection of great sounding amp models, and will easily manage the step up from practice to small gig. Hooking the Katana up to your computer grants you access to deep editing of parameters, while we also loved the way it can record direct into a digital audio workstation via USB.
For an amp to gig small clubs, play at home, or in practice, there are few amps more practical than Fender mini combos. We like the Jr IV because it has a 12" speaker, which to our ears is always substantially fuller and more balanced than most 10" speakers out there. Though this amp only really does one thing, it does it well; however, due to its size it does break up rather easily, making it not always the best option for pristine cleans. It's also a bit of a studio secret weapon for this reason, as it can be driven to early hard saturation.
Launched over 60 years ago, the Vox AC15 is the veteran of the pack in this best guitar amps guide. Everyone from the Beatles to Brian May has used Vox AC amps over the years, drawn towards one of the warmest clean tones out there. The Vox AC15 is a superb choice for rock, pop and blues, and we particularly liked the built-in tremolo and reverb sounds which make for some epic surf-rock tones.
The MT 15 follows the standard lunchbox amp blueprint, packing in two channels and switchable output power to make for an ideal tool for practice, recording and small shows. If you want high gain, sure, it can throw down the filth with the best of them. Likewise, if you want an authentic, bell-like clean sound, no problem. The TubeMeister Deluxe packs enough power for small gigs, but can also be run all the way down to 0W for true silent practicing.
Finally, it's pretty compact. Compared to some of the amps on this list, this mini JCM looks positively lacking in features. However, it reminds us that maybe you don't need the bells and whistles. Maybe what you really need is fantastic sounding amplification, and no distractions.
If that idea resonates with you, then this is probably the amp for you. From grunge to doom, to noise rock, the SC20H is a fantastic foundation for a guitar rig, it's built like a tank, and it's a classic for a reason.
And, while the big version remains famously frill-free, Marshall has equipped the SC20H with an effects loop and direct recording output making it a beast of a studio amp. The result is an amp that contains incredible clean and dirt sounds, and also some of our favorite saturated gain sounds, in a compact package that you can easily gig with. In fact, it's small enough that you can fly with it as hand luggage. The Mesa Mark V comes in a how to install a dryer vent through brick of sizes from the full-tilt 90W head down to a compact 25W offering.
Though some features are streamlined or removed, the 25 loses none of the key tricks, while becoming small enough to take on public transport. Sure, partly it's about the prestige of Mesa amps in general, but the IV earned its stripes through session players seeking a Swiss-Army-Knife amp. The tubes used also offer a clue; how to fix scratches on tv screen other Mesa heads like the DC5 used 6L6s for a more rectifier-like tone, the EL84s are a different beast, while the clean channel has a distinctly Fender-like chime about it.
However, with Mesas, the stock tones aren't really the whole story. With a three-band EQ and boost functionality, these can be radically altered into new territory, and the distinctive graphic EQ on the front panel allows for even more drastic tone shaping.
When it comes to modern metal, there have been few players and producers as influential as Misha 'Bulb' Mansoor of Periphery. Obviously if you're looking for djenty modern metal then the Invective is more than capable of delivering, but it's for some of its other features that it's just as interesting. Firstly, there's a range of power-switching options, meaning you don't have to run it full-blast at W the whole time. Second, there's a boost function that is modelled on the Ibanez Tubescreamer.
This is because many modern metal tones are achieved by smashing the front-end of a tube amp using a Tubescreamer with the 'level' control all the way up. Third, there's auxiliary power outs, so you can run your favourite pedals in the amp's effects loop using the amp as a power source. This makes this guitar amp far more than just part of the line, but a substantially more versatile improvement. This is fitting really, as EVH defined the new metal sound with his signature amps; maybe the Invective will do the same for a new generation.
Read the full Peavey Invective. A lot has been said about the Kemper and its capabilities elsewhere, so we won't recite an exhaustive specs list — suffice it to say that this is an endlessly extensible professional amp modelling unit.
The powerhead version of the profiler is exactly what you think — by combining the profiler head edition of the Kemper with a watt solid-state power amp, the powerhead can be used to drive a speaker cabinet, making it all you need for amp duties both in the studio and live. Guitar amplification is based on three building blocks at its core — preamp, power amp and speaker. The preamp shapes the tone, the power amp brings it up to the level required to drive the speaker, and the speaker pumps out the what is coriander similar to tone.
Everything you need to know about guitar amps. First, there's the question of whether the amp is tube, solid-state, or a digital amp modeler.
Tubes deliver a rich harmonic warmth and dynamism that people still flock what box on w2 is taxable income, despite all of the advances in digital and modeling technology. Where digital comes up trumps is through sheer variety and instant gratification.
Modern digital amps can pack in approximations of literally hundreds of different models, from all genres, in a way that gives the user a near-infinite tonal palette. Solid-state options have come on leaps and bounds in recent years, but debates over the quality still come and go. They tend to lean how to study political science cleaner tones, which makes them fantastic pedalboard -friendly amps, but very few have overdriven and distorted tones that can compete with a high-end modeler or tube amp.
Then, there's whether the guitar amp is a head or a combo. Combo amps combine the pre-amp, power amp and speakers in a single unit, whereas heads require external speakers to use. The benefit of a head is being able to run more speakers if necessary, but in an age of venues shut down for noise complaints, where even your local bar has a how to get a motorcycle license in ohio PA, the need for extra volume isn't as relevant.
There's also the wattage to consider. Simply put, a higher wattage tube amp is louder, but because of reasons a bit too complex to go into here, the perceived volume of a tube amp at the same wattage as a solid-state amp will be louder.
Finally, you'll want to have a think about your gain requirements. If you're a pedalboard user, you may well already have an array of overdrive and distortion pedalsand you're just looking for a clean platform to amplify and complement those tones. However, for some players — especially those of a metal persuasion — there's simply no substitute for a high-gain amp, which produces a richer, more 3D character than many stompboxes. Be sure to bear in mind the number of channels an amp possesses, especially if you're looking to switch on the fly from clean to distortion.
Guitar World. Please deactivate your ad blocker in order to see our subscription offer. Orange Micro Terror The tiniest of tiny terrors. Vox AC15 C1 The best guitar amp for a vintage vibe with class to spare. Peavey Invective. Kemper Profiler Powerhead The most flexible of digital heads.
Topics Buyer's what are accessory organs of the skin.
Valve amplifiers vs solid-state and digital amps
Feb 20, · On the flipside, the combo is an amplifier and speaker all in one package. Size matters here. A small combo with a single inch speaker can still be a significant burden to cart around, but for many of us, the convenience of having an all-in-one setup is too good an option to pass up, especially if it’s mostly going to be kept at makingoz.com: Musicradar. I have a $ budget. Id like to get a solid state head and a 4x12 cabinet today but i dont really know what to get. I play things like Nu-Metal and grunge so id like an amp/head combo more geared towards that. i can also add to the budget just a little.
Guitar amps come in all shapes and sizes, and for most players, a combo amp—that is, an amplifier with everything in one unit rather than separated head and speaker cabinet—is the best bet. There are thousands of different guitar combo amp models out there in the world, with new models coming to market every year.
On this page, you'll see an up-to-date ranking of the most popular guitar combo amp options currently on Reverb based on real-time transaction data from our marketplace.
Take a look at some of the best guitar combo amps available below, and click on the images to learn more about each option to find your own on Reverb. Packing tube-powered muscle to handle gigs and an affordable price tag, the Fender Blues Junior III combo is a compact solution for vintage tone, big sound, and plenty of headroom for pedals.
If you want to play shows, you'll need anything 15 watts and up from the watt Fender '65 Deluxe Reverb Reissue to the brawny Mesa Boogie.
Learn More. For an all-in-one playing experience that encompasses sounds from a crunchy '80s metal amp to weird and wild modulation effects, the Boss Katana MkII Digital Modeling Combo is a solid pick. Five amp voices from Clean to Crunchy to Brown think EVH's arena-sized sound are on tap alongside five authentic onboard Boss effects from reverb and delay to distortion and modulation in a package that has enough punch to handle its own on a stage. Built with features found on more expensive combos like an analog signal path and four-stage preamp, the Crush 35RT also brings digital spring reverb and a buffered effects loop for a formidable amp at an attractive price.
For those who want the classic jangle and top boost of the Vox AC30 but don't need quite so much power, the AC15C1 is a great option. While there have been a number of AC15 variants since its debut in , the current AC15C1 uses an all-tube, 15W 1x12 design to capture the tone of its predecessors.
This amp might be made in China, but after plugging into it, there's no denying that the tone is pure classic Vox. Looking for not just a practice amp, but five practice amps in one with a smorgasbord of onboard effects? The Fender Champion 20 Combo is just what you're looking for.
Packing an 8" Fender Special Design speaker with 20 watts of power, this model sports a Voice knob for modes like Tweed, British, and Metal as well as onboard effects including reverb, delay, and tremolo for an all-in-one experience. Featuring dual normal and vibrato channels, the power of two 12AX7 and two 12AT7 tubes, and 22w of power, the '65 Reissue Deluxe Reverb is a formidable tool built for the working musician. With each sporting two-band EQs and additional controls for reverb, speed, and intensity on the tremolo, the dual-channel design allows easy toggling between crisp, snappy cleans and surf-laden warble via channel selector switch.
Built to the specs of the original heard on countless classics, new generation of a classic amp is a one way ticket to timeless Fender tone. The classics never go out of style, but it never hurts to give them a touch of modern convenience, and the Fender Tone Master Deluxe Reverb combo aims to deliver true tube tone in a lightweight, all-digital package.
Clocking in at just 23 pounds, this amp made for today's players sports the same headroom and tonal dynamics that attracted generations of players to the original, all with the addition of an onboard attenuator, balanced line out with IR cab sims, and USB for firmware upgrades.
Built with an all-tube design, dual-channel layout with Classic and Ultra Gain settings on tap, and real onboard reverb to complement the EQ section, the Marshall DSL40CR Combo offers up iconic British tone well-suited for the stage and practice space alike.
A pair of EL34 and six 12AX7 tubes summon the same creamy tones that artists from Hendrix to Zakk Wylde have relied on for years with modern conveniences like a Softube-modeled 4x12 cabinet emulation so you can have authentic tone right in your bedroom.
The Katana Mini 7-watt modeling combo from Boss packs the signature Katana tone and functionality into an exceedingly compact 1x4 size. The mini features three amp types to choose from—brown, crunch, or clean—as well an authentic multi-stage gain circuit and three-band analog tone stack. Players can also take advantage of solid onboard features like a built-in tape-style delay.
With the ability to forego the AC adapter for AA-sized battery power, the Katana Mini is also super portable, great for musicians on the go without a lot of room or weight to spare. Constructed with a headphone out that utilizes a CabSim circuit to emulate the feel and sound of a 4x12, you can have searing Orange tone from the comfort of your bedroom or practice space without breaking the bank. Fender Mustang I V. Ready to start jamming? The Fender Mustang I V.
The 8" Fender Special Design speaker and watt design are complemented by a full 17 built-in amp emulations as well as true Fender reverb, tremolo, delay, and more. The Orange Crush 12 is the smallest combo available in Orange's Crush line of amplifiers.
Years of Production: present Finishes: Orange, Black. Professional grade tone-shaping tools like a three-band EQ and boosts, overdrives, modulation and dedicated reverb get you a wide sonic spread with editable parameters available in the paired app so you can get that signature sound. Meaty enough to hold its own during practice and even at small gigs, the AC10C1 is also an ideal amp to have around the house or apartment for easy, no fuss solo noodling.
Whether you're a beginner looking to break into the world of Vox or a seasoned musician thinking about a new practice amp, the AC10C1 is a great choice for classic sound. Built with a 12AX7 tube preamp, onboard tube reverb and tremolo with an included footswitch and 10" Celestion G10 Gold speaker, the Fender '65 Reissue Princeton Reverb captures the character of the classic at an attainable price point.
This is a reissue combo, but the tone and quality is all vintage Fender. With the Tone Master Twin Reverb Combo, Fender aims to translate the legendary sound of a tube powerhouse into a digital amp made for modern players. A watt digital power amp pumped through two Jensen NK neodymium speakers painstakingly recreates the same headroom and tonal versatility that made the amp famous in the first place with added touches like an onboard attenuator and balanced line out with IR cab simulations.
Wattage The watts largely decide how loud your combo can get and should be considered based on application. Just need a practice amp for the apartment? Side note: small amps are also studio favorites for their focused tone.
Speaker Size The size of a combo's speakers also plays a role in how loud it can be, but it's also a deciding factor in the combo's frequency range. Smaller sizes like 8" and 10" emphasize more treble and focus with less volume, while on the other end, a 15" speaker sits in the bass range with more volume but less definition. A 12" speaker hits a sweet spot between highs and lows and is thus found in many combos.
Digital Features Many modern combos sport an onboard suite of digital features which can be an ideal option for players after an all-in-one solution. Picks like the Boss Katana series get you both built-in digital effects ranging from reverb and delay to spacey modulation as well as classic amp voices that emulate vintage tweed twang and searing British gain.
Portability If you're playing a lot of gigs, it's worth considering an amp that won't throw your back out from lugging it in and out of the van. Generally, tube amplifiers are heavier and therefore more of a pain to lug around, but if you're a tone purist, the analog sound might be worth it. If you're curious about the digital realm, new advances in DSP technology like the Fender Tone Master Deluxe Reverb get big sound, a solid recreation of organic warmth, and an amp that's easy to carry.
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